Paintings of William Edouard Scott and Claude Monet

Two whole kit and boodle of fine finesse that induct excite generations of finesse lovers are Rainy Night, Etaples, multicolored in 1912 by William Edouard Scott, and The church of San Giorgio Maggiore, Venice, created in 1908 by Claude Monet. Currently, two exposures are displayed in the IMA Museum in Indianapolis, Indiana. Rainy Night, Etaples is displayed in the American section and The Church of San Giorgio Maggiore, Venice is displayed in European section. The two paintings have the unique stamp of their painters and take issue in the reproof of imperfect. They withal differ in their sizes, and the painters were inspired by different themes eyepatch creating these masterpieces. The two beautiful pieces of art are the strokes of two immense masters and differ because they outline the unique styles of the painters and are do on the same intermediate and are visual works of paintings.\nRainy Night, Etaples that is next to The chromatic Grove painting in the MLA m useum in a 25 1/2 x 31 in. 33 x 39 1/4 framed painting, which was created in 1912. The visible use for the painting is anoint on canvas. The painting shows a beautiful play of light and darkness, which is not altogether black, moreover has a bluish hue. The painting shows a rainy realize of a street of Etaples, which is a city in Normandy, France. closely of the paintings of Scott have a crude subject of the summer hearthstone hall of Henry Ossawa Tanner, his mentor. The summer residence of Tanner was in Etaples, and Scott has used the city in close to of his paintings (Rainy Night, Etaples, 2014).\nThe Church of San Giorgio Maggiore, Venice, which is beside The Quai dAusterlitz painting created in 1908 by Claude Monet is a 25 1/2 Ã- 36 1/4 in. 34 x 44 5/8 in. framed painting. The significant used is same as Rainy Night, i.e. oil on canvas. Monet has devoted a serial publication of paintings to this Church of Venice. In this painting, Monet has once again shown his dedic ation to the display of reflection of light, although the painting appears slightl...